Based on Nicholas Pileggi’s book ‘Wiseguy’, Martin Scorsese’s GOODFELLAS is a wry, violent, and exhilarating film about the life of Henry Hill, an aspiring criminal who ends up in the FBI’s witness protection program after testifying against his former partners. As a poor Irish-Italian growing up in 1950s New York City, Hill (Ray Liotta – SOMETHING WILD, UNLAWFUL ENTRY) rises through the ranks of his Brooklyn neighbourhood’s organized crime branch, and with money from the mob he begins living the good life, complete with a beautiful bride, Karen (Lorraine Brocco – THE SOPRANOS), a fancy home, and the best seats at the most exclusive restaurants. A botched robbery lands Henry in prison for a brief period of time, and when he gets released, his reckless infidelities and drug abuse damage his associations with his adopted family. Scorsese’s film is a visual and sonic onslaught, featuring a brilliant pop-music soundtrack and stunning camera work–including the infamous Steadicam one-take that introduces the audience to the Copacabana’s patrons. He uses the songs to infuse a rhythm into every scene that is at once breathtaking and invigorating. As the psychopathic Tommy DeVito (Joe Pesci – RAGING BULL, MY COUSIN VINNY) delivers an unforgettable, Oscar-winning performance that is alarming in its cold-blooded callousness and Robert De Niro adds to the prestige with his quietly calculating turn as Irish hoodlum Jimmy Conway, helping to cement GOODFELLAS’ place as a classic portrait of life in the mob.